Edited by Rolando B. Tolentino. Anthology of essays about cinema, taking off from the post-World War II detente foreign policy of the United States to illuminate issues of transparency of power and power relations. Seeks to answer questions like: How has the visible image been constructed such that it implicates issues of colonial, imperial, and nationalist representations and discourses? How has geopolitics, the mobilization of a global discourse of capital, liberal democracy and modernity been rendered in the Philippines?

The author is an associate professor at the Dept of Film and Audiovisual Communication of the UP. He completed his PhD in Film, Literature & Culture from the School of Cinema-Television, University of Southern California.

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