Romeo and Juliet
Many companies have their own version of this Shakesperean tale.
I think that’s because the story lends itself so well to different interpretations and choreographies.
For me, the biggest challenge in dancing Juliet is showing her age from a shy, young teenager to a knowing woman to a human being so desperately in love that she kills herself.
So far, I’ve danced quite a number of versions of R & J – those of Malcolm Burnes, Tom Pazik, Serguei Vikulov (including his “choreographic miniature” or condensed version set on music by Tchaikovsky), and a new balcony scene version by Augustus Damian III.
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